Preface
Introduction
Part I. The Film
1. Abraham Zapruder Films the Assassination
2. Development and Sale of the Film
3. The Film
Part II. The Film and Private Ownership of American History
4. Ownership, Copyright, and the Zapruder Film, 1963-1975
5. Control and Profits, 1975-1997
Part III. The Film and the Struggle for Access
6. Profits First: Time Inc. Sues Bernard Geis Associates for Theft and Misuse of Its Zapruder Frams
7. A Student, a Scholar, and the Zapruder Film: Gerard A. Selby Jr. and Harold Weisberg versus Henry G. Zapruder et al.
Part IV. Theorists and the Zapruder Film
8. Prisoners of Preconception: Conspiracy Theorists, Warren Commission Defenders, and the Zapruder Film
9. Altered Evidence, Altered States: An Introduction to Those Who Claim the Film Was Altered
Part V. The Film and the Evidentiary Base
10. Official Federal Policy: Do Not Investigate
11. The Man in the Doorway
12. The Head Shot and Zapruder Frams 337 and 338
13. Photographic Proof of Conspiracy: Zapruder Frame 202
14. A Command Appearance: Jim Garrison, Zapruder, and Zapruder’s Film
Part VI. The Film and the Single-Bullet Theory
15. Official Allegation: A Single Bullet Explains All Seven Nonfatal Wounds
16. Official Evidence: The Seven Nonfatal Wounds
Part Vii. The Struggle to Free the Film
17. Federal Purchase: The Government and the Zapruder Film, 1963-2000
Epilogue: The Zapruder Film and American History
Appendix: Documents
Notes
Selected Bibliography
Index