Reinventing Richard Nixon

A Cultural History of an American Obsession

Daniel Frick

"Nixon's the One!" proclaimed his campaign paraphernalia. "Tricky Dick!" retorted his detractors. From presidential savior for conservative America to bete noire for the political Left, the Richard Nixon persona has worn many masks and labels. In fiction and poetry and pop songs, in television and film, no other national political figure has so thoroughly saturated our public consciousness with so many contrasting images.

Focusing on the process of Nixon's continuous reinvention, Daniel Frick reveals a figure who continues to expose key fault lines in the nation's self-definition. Drawing on references ranging from All in the Family to Zappa and the Mothers of Invention, he shows how Nixon has become one of America's most durable and multifaceted icons in the ongoing and fierce debates over the import and meaning of the last sixty years of national life.

“Frick has written a valuable book for those of us who are interested not only in Nixon but also in understanding the political world in which we live. . . . Frick has written a book that helps explain why the postwar decades might be the age of Nixon, albeit not in the way that Nixon's supporters would argue. The book also transcends the topic of Nixon to help us understand what it means when we, so many decades after his presidency, still find ourselves debating his legacy.

—American Historical Review

“A meditation on the meaning of Richard Nixon in our world. Daniel Frick’s knowledge of cultural artifacts such as the political cartoons, campaign ephemera, and pop cultural representations of Nixon is positively encyclopedic. . . .

—American Quarterly
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Examining Nixon's autobiographies and political memorabilia, Frick offers far-reaching perceptions not only of the man but of Nixon's version of himself—contrasted with those who would interpret him differently. He cites reinventions of Nixon from the late 1980s, particularly the museum at the Richard Nixon Library and Birthplace, to demonstrate the resilience of certain national mythic narratives in the face of liberal critiques. And he recounts how celebrants at Nixon's state funeral, at which Bob Dole's eulogy depicted a God-fearing American hero, attempted to bury the sources of our divisions over him, rendering in some minds the judgment of "redeemed statesman" to erase his status as "disgraced president."

With dozens of illustrations—Nixon posing with Elvis (the National Archives' most requested photo), Nixonian cultural artifacts, classic editorial cartoons—no other book collects in one place such varied images of Nixon from so many diverse media. These reinforce Frick's probing analysis to help us understand why we disagree about Nixon—and why it matters how we resolve our disagreements.

Whether your image of Nixon is shaped by his autobiography Six Crises, Oliver Stone's surprisingly sympathetic film Nixon, John Adams's landmark opera Nixon in China, or by the saga of Watergate, Reinventing Richard Nixon expands on all perspectives. It shows how, through these contradictory mythic stories, we continue to reinvent, much like Nixon himself, our own sense of national identity.

About the Author

Daniel Frick is director of the Writing Center and senior adjunct assistant professor of English at Franklin and Marshall College.

Additional Titles in the CultureAmerica Series