Projecting Paranoia

Conspiratorial Visions in American Film

Ray Pratt

A lit cigarette glows in the dark. A faceless voice describes sinister forces that are hard at work behind the scenes-a hidden conspiracy that controls our lives and perhaps even our thoughts. Then, like a ghost in the night, the voice is gone, leaving a residue of unease and a whisper of paranoia.

As emblematic as "Deep Throat" in All the President's Men or the "Cigarette Smoking Man" in the wildly popular X-Files, that ghostly presence stands in for numerous other "voices" in a wide range of American films from the classic era of film noir through Oliver Stone's JFK and Curtis Hanson's L.A. Confidential. In this sweeping and idiosyncratic synthesis of film and politics, Ray Pratt shows us how such movies are deeply rooted in postwar American culture and continue to exert an enormous influence on the national imagination.

Click here to read an online review at http://www.cercles.com.

An unquestionably fresh addition to film and political theory. . . Deserves praise for its imaginative appraisal of Americans’ current fascination with and fears about the power of political authority. Moreover, by so comprehensively examining his topic from multiple angles, Pratt is able to successfully extricate meaning from a phenomenon as complex and contradictory as the American political psyche. The cultural-studies approach frequently gets a bad rap, but here Pratt has demonstrated its potential for illuminating the interdependency of art and lifeor, in this case, are and lies.”

Cineaste

“A useful overview of the general themes of conspiracy and paranoia in many American films of the 1940s, 1960s, and beyond. . . .

—Journal of American History
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For decades American cinema has mirrored and promoted the postmodern anxieties and paranoid perceptions embedded in our society. Tapping into the moviegoing audience's own projected fears, many Hollywood films seem to confirm our belief that there are indeed secret sinister forces at work and that our lives are at risk because of them.

Pratt revisits blockbusters and cult favorites alike and shows how their images of conspiracy have been fostered by the public's increasing distrust of large organizations, producing in turn a cinematic "narrative of resistance" that challenges the status quo. He offers Seven Days in May and Dr. Strangelove as signposts of Cold War hysteria; Chinatown, The Conversation, and Missing as clear reflections of our distrust of political and corporate elites in the wake of Vietnam and Watergate; and Blue Velvet and The Stepfather as dark countermyths to the "family values" touted by Ronald Reagan in the 1980s. He also considers gender paranoia in films like Klute, Fatal Attraction, and Silence of the Lambs and reminds us that sometimes, as in Serpico, our guardian police forces need a bit of guarding themselves.

Deftly interweaving cultural, political, and film theory with fresh insights into film noir detectives, nuclear angst, sexual predators, and government conspiracies, Projecting Paranoia is essential reading for anyone interested in the American psyche or great moviemaking.

About the Author

Ray Pratt is professor of political science at Montana State University and author of Rhythm and Resistance: Political Uses of American Popular Music.

Additional Titles in the CultureAmerica Series